Sunday, August 26, 2012

10 Things You Should Know About Cheche Lazaro


Probing Cheche Lazaro
“Journalists should do what they say, and say what they do.”

You may not be looking at the television set but you hear her voice and you instantly recognize it is her: that deep, somewhat husky voice, forceful yet moderate, compassionate yet striking. She changed the landscape of Philippine journalism with her stories about rebels, suicide, children, Jose Rizal, love, impeachment, among so many other issues, and has been known to stand up for the truth, always. Here are 10 things you should know about Cheche Lazaro.

1. When she started in news, women were not main anchors and were only given light stories. The question to her was, “If you had to do an NPA story, will your husband allow you?” Her answer: “Why do I have to ask my husband?”

The eldest of six children, Cecilia “Cheche” Aldaba-Lim, was born to an engineer father and a psychologist mother. She was born in the US but decided to give up her US citizenship and chose to be legally Filipino when she applied for a scholarship for a master’s degree in radio and television from the University of Michigan. Her fascination with journalism began when she was in high school. She read a series of articles by Rod Reyes, in which he posed as a drug addict and experienced what it is like being in a drug den around so many real addicts. “Ganito pala kumuha ng storya, I thought you just write it, but to go through all of this, this is really interesting! I want to do this,” she recalls. She remembers reading another story by an American journalist who had injections to change the color of his skin to get into the Ku Klux Klan in order to report what it’s like to be inside the group. The sense of adventure, the risk, the consequences if found out — this was all very exciting for Cheche.

Growing up in the ‘50s and ‘60s, she was fascinated by the early years of television in the Philippines. “I was fascinated: ‘How come people are moving inside that box? I want to make stories for that box,’” she shares. After coming home after getting her master’s, as much as she wanted to start her career in journalism, martial law had been proclaimed, and so she became a professor of broadcast journalism at University of the Philippines for around 20 years. When ABS-CBN reopened after martial law, she was determined to equal the men and prove women could do hard-hitting stories too. “If there’s a story and it’s worth it, of course I will go,” she says. After producing entertainment programs that had singers and dancers, she was able to pursue her passion when was appointed head of Public Affairs.

2. On Probe Productions’ run since they started in 1988: “Now when I think about some of the stories we’ve done, what? Crazy! Sobrang daring! You ask me to do it again, I’m not sure I’m going to do it!

“When you’re young, you’re foolish and crazy and you think you can do everything, you want to stretch your limits,” she explains. Cheche was already in her 40s when she became a full-fledged journalist, and colleagues who were part of Probe would say she did everything they did, from trekking for hours to carrying bags and tripods. “I deluded myself into thinking I was also 20,” she jokes.

She was a big fan of the US program 60 Minutes and liked the idea that they were not only reporting news, they were explaining it. She wanted to do a similar show and pitched the concept of Probe to ABS-CBN. Since that was also the time that Carmi Martin was the biggest star, she remembers one of the bosses telling her, “Bakit, si Cheche magta-tanga din ba yan?” No, she didn’t wear a tanga but she gives due respect to ABS-CBN for giving Probe a chance to do several episodes, which included President Cory Aquino’s visit to Singapore and Indonesia. Along with Maria Ressa, Luchi Cruz-Valdez, Angie Ramos and a whole bunch of determined, young reporters, Probe was producing shows out of a small office in the compound. “We always just made enough money to pay salaries and buy new equipment if we needed. People in Probe will tell you that we didn’t pay the best salaries, but they will tell you they had the best training with us so that when they moved out, they could demand the salaries they wanted.”

When ABS-CBN proposed that Probe only air when they have a story, Cheche disagreed, saying that to grow a program you have to be there consistently, and that there would always be stories. ABS-CBN and Probe separated on good terms, and GMA-7 offered them a weekly timeslot. In 2003, Probe was set to air an episode of a lifestyle check of then-PAGCOR chairman Ephraim Genuino, and GMA-7 felt it maligned his reputation. “Everything was fully documented, we called him seven times, he didn’t want to give an interview, we went to the SEC four times, we had our facts straight.” At that point, GMA-7 pre-terminated the show’s contract. They moved to then-ABC5 for a while, before moving back to ABS-CBN. When asked where this fearlessness in challenging networks comes from, Cheche says: “Kayabangan siguro? Maybe we were crazy? I don’t know what you can call it. I think we valued being fiercely independent. You cannot impose on us a topic. We have to like the story, and we have to do it on our own.” They had a strict policy that no one is allowed to get paid for a story, and once caught, you can look for another job no matter how valuable you are. “We will only accept meals; if we’re fed, we will eat, because we like food,” she says in jest.

3. Cheche and her husband Delfin were college sweethearts. They have been married 43 years.

They met in UP, she ran for councilor of Arts and Sciences and he ran for university councilor. They both won. Cheche recalls her relatives would tell her that the best place to meet your husband is on campus. “Because that’s the time when you are stripped of any title, money, position, all of you are poor, none of you have any accomplishments yet, so you are not blinded by unnecessary things. And sure enough,” she smiles. They got married in their early 20s and moved to the US for a while for his master’s degree, while she was a full-time housewife. When she fulfilled her dream of becoming a journalist, she says her businessman husband was the most supportive. There was even a point when Probe had no office and no equipment, so Cheche used a bit of their dollar savings to buy a camera and an editing kit, and their son’s room was used as an editing room. When Del became former President Fidel Ramos’ Energy Secretary, all other media agencies were interviewing him, except the Probe group, to avoid conflict of interest. “That was the time brownouts were terrible, and we didn’t have a generator because he wanted to lead by example. If you’re suffering eight hours of brownout, we would too,” she recalls.

So how does a marriage last 43 years? “With difficulty,” she says laughing. “Marriage is not easy, it’s a question of give and take, and the adjustment continues, it doesn’t end,” she smiles.

4. The role she enjoys the most now is being a lola.

Del and Cheche have two children, Lisa and Charlie. They have one grandchild through Lisa, two-and-a-half-year-old Jack. “I consider it a privilege to see a miracle grow, such a tiny person to be so perfect and bring so much joy. What a gift from God,” she shares. “My husband and I, ang wish lang namin is we live long enough to mark the important things in his life.” She is on Skype with Jack as much as possible (they live in New Hampshire), and Cheche says she loves the cute things he says and every little expression he makes.

5. She has a passion for one particular hobby: scrapbooking.

She has 300 scrapbooks to date, all neatly filed on shelves with a separate book that is a catalogue of all 300, and a very organized workstation with colored paper, stickers, lace, pens, the works. “It started because I like documenting and I like keepsakes,” she shares. She started collecting little tickets and posters when she was in high school, and to this day journals on a daily basis (“dati, sulat, ngayon computer na.”) It helps her remember every detail about trips and family events, and with each page a mix of photos, write-ups and decorations, she says: “It’s like producing a television show!”

Cheche’s scrapbooking tips:

• Aside from the photos you take, when you travel, have a pouch for all your keepsakes.

• Use acid-free albums. (She now has a hard drive where the first few albums have been scanned, to preserve the pages.)

• Do a few pages at a time until you finish the album.

6. The most effective Filipino political leaders in her opinion:

She names Jesse Robredo and Bayani Fernando’s mayoral run in Naga and Marikina respectively for getting things done in their area. (This interview was done a week before the passing of Secretary Jesse, and she later on shares that she actually saw him the day before the accident. “There is a deep sense of loss to our country. A good man. I think that, in essence, was his core.”)

“I admire the public service record of former Budget Secretary Emy Boncodin, Dr. Milwida Guevarra who was with the Department of Finance, and my very biased choice of my husband Delfin Lazaro, who served as Energy Secretary.” She also names former President Fidel Ramos for the reforms and the programs he put in place.

One of the truths she and her husband discovered about government is that there are many good and capable people but we don’t know them as much because they are seldom involved in scandalous news. “They are quiet, ,” she says about those she admires in public office.

7. Cheche Lazaro in numbers:

1: Total number of libel case filed against her. This was by the Fish Exporters of the Philippines, when Probe did a story on dynamite fishing.

30: Number of Filipino costumes in her collection. She makes it a point to buy one in the different provinces she travels to.

70: Number of houses (wall replicas) in her collection. “Like an Argentinean bar where tango was born, ulog from the Mountain Province, Canal palaces of Venice, all on walls in a little resthouse in Baguio.”

257: People that have passed through Probe Productions, Inc.

111: Total number of awards received by all shows under Probe.

8. Two core values she made sure her students in UP and journalists at Probe learned: “Integrity, and walking your talk.”

 She specifically recalls the three times that groups tried to bribe her and the Probe group. One was during the end of an interview, and the interviewee thanked her while tapping her knee with an envelope under his hand. “Merienda money,” he said. “Pina-merienda mo na po kami, salamat,” she answered. Her only regret is that despite previous instructions to keep the camera rolling (“after the interview, that’s when the bribe comes”), the crew had already packed up. Second time was in an out-of-the-country shoot, where the producer handed out envelopes to everyone. Quietly, she gathered all the envelopes and gave them back. “No, that’s shopping money,” they said. “We appreciate it, but I have to return it otherwise we will lose our jobs,” Cheche answered. When the producer said they didn’t have to tell their bosses, Cheche answered, “Our boss will know.” Third time, somebody had money sent with a thank you note, and she simply sent it back with a note saying, “You’re most welcome, it was a pleasure doing the story.”

She goes on to say journalists should do what they say, and say what they do. “It’s hard! It’s easier said than done. I don’t think I even follow that myself. Masarap mag-lecture pag ikaw ang teacher,” she jokes.

9. She only learned how to report and write fluently in Tagalog during her Probe days. In fact, she once got a 76 in Filipino on her report card.

“When people hear me speak Tagalog now they think I’m so good. No way! Hirap na hirap ako,” Cheche exclaims. She was in high school in Philippine Women’s University when she got an almost failing grade in Filipino, and shares that her average grades were in the 80s. “You think I’m a bright girl? I was just average. College I did better.”

It was when the Probe team had to switch to Tagalog (“For 15 years we were in English”) to be able to reach more viewers that Cheche had to master Tagalog. She shares that one of the antiquities in the Probe office is an English-Tagalog dictionary with the pages falling out, and everyone wrote their scripts in English, translated it to Tagalog, and had it checked by the most knowledgeable Tagalog writer in the bunch. “I had to do scripts in Tagalog, I had to do interviews in Tagalog, which was a pain! A royal pain in the beginning,” she recalls. “Sa Probe talaga ako nahasa.”

10. She and her husband Del love to travel. Macchu Picchu in Peru, the Galapagos islands, and the small towns of Japan have been checked off her bucket list.

She is fascinated with Japanese culture and things Japanese. “I just want to look at nature, we’ve done that, and I want to do it some more,” she says of Japan. For Probe, she has jumped from a helicopter, and has even gone swimming in Tubbataha and the Great Barrier Reef.

They have been to Rome, Greece and Egypt separately, but her dream is to go on an ancient civilizations tour with an actual historian who can piece together the stories. She wants to go trailer camping in Redwood forest for a total nature trip. “Mount Everest, but I think I’m much too old to go trekking there,” she laughs. “I love the Philippines, to go around the Philippines is still number one for me.”

* * *

We start the interview with her interviewing me, asking about my work. “Yes, when you’re young, that’s when you burn your candles at both ends,” she says. She is never selfish with advice or sharing little tips and tricks, and it is awe-inspiring to see how she is open to the modern and the new, never acting as though she is above or better than anyone or any idea. She may not work late hours anymore or carry heavy bags like she used to, but really, now in her mid-60s, Cheche Lazaro’s incredibly sunny disposition and go-getter attitude can easily beat that of a 20- or 30-something any time of day.

Sunday, August 5, 2012

10 Things You Should Know About Robby Carmona


Robby Carmona: From model to model maker
Robby Carmona’s dream is for Manila to be known one day as an Asian fashion capital, and for more designers to make a big name internationally. “The next step would be to get buyers and international press, so there would be business for the young ones,” he explains

It is likely that every major model, hotspot and brand in Manila has, in one way or another, been involved in an event that was put together by this man. In his 17 years as an event and fashion show director, he has dealt with everything from shampoo to beverages to couture. “Up to now when I go to my technical booth and I wear my headset, it feels like the first time, kinakabahan pa rin ako,” he says. His talent for coming up with new ways to present things makes him one of the most in-demand directors in the industry. Here are 10 things you should know about Robby Carmona.

1. Robby’s first foray into the fashion industry was as a model. On the production side, he started as an assistant tasked to call the models from the dressing room to put on standby backstage.

He was 14 years old when he joined a model search for Adidas Fashion Company. Out of the 700 who auditioned, he was chosen as one of the 10 image models, and his schedule was instantly filled with TV guestings (“to sing and dance”), pictorials, and fashion shows. “I met a lot of good, inspiring people in the industry, it was very fulfilling,” he says of his ramp and print modeling career that spanned around six years. He decided to lay low in modeling when he was given a break by Ace Saatchi head caster Flor Salanga to cast a commercial for Ivory. “Ma-PR na ako nun, fashyon na ako nun, and she saw my potential, that I had a great eye for talent,” he shares. He went on to cast more product launches like Vidal Sassoon and Fanny Serrano for Head & Shoulders. During his stint as a caster, he also took on the job as an assistant for fashion director Robert Tongco. “He had ‘ninja boys,’ yung mga P.A. niya na talagang nagtatrabaho, at ako yung assistant ng ‘ninja boys’,” Robby reveals. He jumped from P.A. straight to to assistant director, (“I’m really like a sponge, I’m very observant,”) going full circle from model to choreographer for segments involving models.

2. He was a popular kid back in school: volleyball team captain, Mr. Intramurals, director of Binibining CSA.

“I was not shy,” Robby declares. “Even for the young people now, I want them to know walang mangyayari if you’re shy, you have to be on the go and push your dreams.” As early as Grade Seven, he was a part of the Adeodatus Foundation in Colegio San Agustin, where he would co-choreograph for their batch in the cheerleading competitions, and direct programs for Linggo ng Wika. His biggest project was Binibining CSA, where he recalls that his idea of directing then was to just tell people what they had to do. “I didn’t have a headset, I was backstage, I didn’t even time the show,” he shares. He booked a male host last minute (he called a radio station and offered the first DJ that answered P1,000 to host the pageant) and didn’t anticipate the time it would take to tabulate scores. “I was so stressed I just sat in one corner I didn’t know what to do. Yun yung first experience but learning curve ko din.”

3. He started his events company Saga when he was only 22 years old. “I would produce my own events kasi wala pang nagtitiwala sa akin nun.”

He tied up with Mars disco and he booked his own brands. How? “I would call offices and I would ask the name of the marketing manager, and Yellow Pages yun wala pang Google! I would ask for an appointment, write a letter, fax it, wait for weeks, do follow-ups, wait for the reply, super kulit, super follow-up, until super makulitan na and they’d set a meeting,” he reveals. He hired one secretary to help him do the work out of his home, until he booked more and more accounts and had to add accounts and production staff. He has 21 employees today, but a lot have already moved on to put up their own companies. “I’m very happy because they’re now creating their own and inspiring others as well,” he says.

It was his shows in Mars that got PR maven Edd Fuentes to notice his work. Robby presented himself to Edd and said, “Uy baka naman you want me to direct a fashion show.” After a string of small-scale events, the show that got him noticed was an event titled “Denims and Diamonds,” a collaboration between Girbaud, Evian and De Beers. At a time when stylists didn’t exist and models did their own makeup, Robby put together design team Michael Salientes, Diane Jardinero, Gary Garcia and makeup artists Jing Monis, Juan Sarte, Marlon Rivera and Cristine Duque (who eventually became Propaganda) to do the show. That show was in 1995, and as they say, the rest is history.

He considers the Fashionista Best Model Search he put up with music channel MTV in 2001 as the turning point in his career. The show produced models Victor Basa, Isabel Oli, Brent Javier, Rocky Salumbides, Melissa Frye, and Ria Bolivar within the five years it was on. “I wanted to help my industry to develop new models, so that was one dream fulfilled for me.”

4. His exposure to the fashion industry actually began at home. His father Derek was a model and his mom Susan had a small jewelry business.

When he joined the Adidas model search, he didn’t mention anything about being his father’s son because he wanted to make it on his own merits. That, on top of his parents’ separation and his dad departed for the US when he was seven years old, leaving his mom to raise him alone. “They were never really married, but I’m a Carmona,” he opens up. It was later on in his modeling career that industry insiders found out that he was Derek’s son, and Robby says it turned out to be a good thing. “They helped me out, honed me, gave me jobs. Mabait yung dad ko.” Robby has three half-siblings (by his dad) who all live in the US, and he is very much in touch with them today. “I got the creative traits from my dad. My being patient and street smart, I got from my mom.”

5. On his being born out of wedlock and his parents’ separation: “Kung nagka-angst ako, I probably wouldn’t be as ambitious or goal-oriented as I am right now.”

He mentions that he hardly ever talks about his family life, even with friends, and the only other time he has opened up about this was at a life coaching seminar. “Actually, okay lang, para mailabas ko din,” he sighs and pauses. “Even if you’re from a broken family it doesn’t mean you can’t excel. It’s supposed to give you the drive to have a better life. Life is full of choices and it’s you who makes those choices.”

6. Robby claims to have two sides to him: his well-known jolly self, and his less-known loner self.

When asked about the disparity between the noisy world of clubbing and partying, and being alone at home at night, he says: “I really have my noisy side. I like being surrounded by fun people, having fun with friends, making people laugh.” On the other hand, he also has his quiet side and occasionally enjoys eating out, watching movies, and traveling alone. “That’s when I discover who I am more, my two sides create a balance,” he reveals.

7. Robby Carmona in numbers:

2: Average number of months it takes to prepare for a show.

3,000: Number of pesos and a bottle of vodka was his first ever paycheck for a fashion show he directed at Mars disco.

10: Size in square meters of his walk-in closet in his Mandaluyong home. “I give away my clothes and my shoes regularly, or I join charity bazaars!”

1,000+: Number of CDs in his collection. He loves Chicane when in Boracay, Rihanna and Beyonce when working out, and his current favorites are DJ David Guetta and Azalea Banks.

7: Number of years his driver Rommel has been with him. “Memorize na niya lahat!”

8. Robby’s top party tips:

1. Good music: “Prepare a playlist beforehand. The selection will depend on the set of friends you invited.”

2. Booze: “Make sure that you don’t run out of drinks to keep the party going!”

3. Good food: “Make it complement the drink as well. Cheese and cold cuts never fail.”

4. Great friends: “The most important. A party wouldn’t be complete without friends you love and whose company you enjoy.”

9. Of the young Filipino designers, he lists Martin Bautista, Veejay Floresca and Kermit Tesoro as the next big names.

Martin Bautista: “Iba ang aesthetics niya, ang galing. He thinks differently. He’s an artist and he’s very creative.”

Veejay Floresca: “In terms of the business side, he’s the next big thing. And he knows his craft so well. Balanse siya.”

Kermit Tesoro: “For his creativity in pushing the limits to go international.”

Robby also names Mich Dulce, Gian Romano, Jerome Lorico, Chris Jazler and Eric de los Santos as some of the most promising young designers.

In this generation, he names Rajo Laurel, Lesley Mobo, Randy Ortiz, Oliver Tolentino, Monique Lhuillier and Francis Libiran as some of the biggest standouts. “This would not have been possible without the help of the senior designers who really paved the way for this generation to leave a mark,” Robby says of the iconic Pitoy Moreno, Ben Farrales and Auggie Cordero.

Of the new generation models, he believes the next supermodels will be Sam Gomez (“She has a beautiful face that defines the look of this generation”), Irish Ong and Natassha Bautista.

10. On what the fashion industry is doing right: “Pushing the boundaries to go global.” On what the fashion industry is doing wrong: “Being closed-minded to change.”

He admires the local designers who are pushing their craft abroad, and branding their products as Filipino for the world to take notice. Robby’s dream is for Manila to be known one day as an Asian fashion capital, and for more designers to make a big name internationally. “The next step would be to get buyers and international press, so there would be business for the young ones,” he explains. He believes fashion today is all about collaboration and that he wishes everyone would open their doors so we can be one industry. “Walang cliques, walang clannish, we should work as one.”

* * *

He is three years away from celebrating 20 years in the industry. When asked if he is planning anything big for this milestone, he shrugs it off and says, “Matagal pa yun.” As someone who lives one day at a time and each day to the fullest, Robby has never seemed to worry about his future. More than bookends, he looks at next steps. “I want to do something to be able to teach the next generation to build themselves both as individuals and businessmen, to push their creativity to the limits,” he declares. Surely, another grand celebration with great company will be the mark of whatever this next big step may be.