Sunday, April 15, 2012

10 Things You Should Know About Gaita Fores

Gaita Fores on food, life & lessons learned
Gaita has 200 pepper mills in her collection, “One of the things I learned in Italy is that you cannot replace freshly ground pepper with anything.”
 Food, travel and her life stories were the topics of conversation over a specially prepared brunch in her restaurant, Lusso. She reveals that, as if serendipitously (she is celebrating 25 years in the industry this month), just a few weeks prior to this interview she was going through her son’s books and found her old Florentine-bound diary that she’d forgotten she wrote in every day (“From the gray skies of Milan to what I ate on the train”) while she was in Italy. “This might be a good starting point to possibly do a retrospective of my work and everything that I’ve done all these years,” she emotionally shares. From a catering business to successful restaurants to a growing home line, she has effortlessly kept herself relevant and exciting. Here are 10 things you should know about Margarita Araneta Fores.

1. To this day, she has had no formal training in cooking. She got her training from three Italian signoras within six months of living in Italy.

Margarita, fondly called Gaita, was studying at liberal arts college Mount Holyoke in Massachusetts when she decided to go back to Manila to possibly get married to her Filipino boyfriend then. With some units credited, she went to Assumption, majored in accounting and doubled up with a lot of management subjects, just in case she would end up working with the family’s real estate business. She passed the boards and is a certified CPA. “I wasn’t really a numbers person, so at least it helps that now, I can read a balance sheet and income statements,” she laughs.

With her mother’s consent, she flew to Italy in 1986 to study. “Signora Masha Innocenti, she was an English-speaking Italian woman who taught in her house,” she recalls of her stay in Florence. She would have morning classes, then, come lunchtime, the signora would take them to the markets to shop for fresh ingredients, or to restaurants to learn more about Italian cuisine. She went on to train under signoras Ada Parasiliti in Milan and Jo Bettoja in Roma. Upon returning home and doing a stint at a food festival in Hyatt, she now has Cibo, Cafe Bola, Lusso, Pepato (now a pop-up store on weekends at The Commissary in White Space), Cibo di M, Casa di M, Gastroteca di M, and many more big ideas under her belt.

2. Her love for Italian culture and cuisine all started when she worked at Valentino Couture while living in New York.

She first worked with the Italian friend of her mother who was the fur licensee of Valentino. She then met Angela Istok, the vice president in charge of licensing, and it was she who got Gaita on board to work in the main Valentino office. It wasn’t hard for Gaita to fall in love with Italian culture. As she says, there’s a lot of similarity between Filipino culture and theirs. “They’re also Catholic like us, they love their moms like us, it’s not difficult to relate to them,” she says.

Although what her job entailed was clipping articles, buying food for his dog, checking his apartment, and making sure everything was in order for when Valentino would visit, she says that what she learned most from that job was understanding the strength of a brand. “This whole thing about the color red, and even now that he has a design team to do the designing, the brand is still so strong,” she explains. When people tell her how good the kamias shake in Cafe Bola is and that she should also put it in Cibo, she says, first, that’s what draws people to Cafe Bola, and second, it wouldn’t fit the menu of Cibo. Strength of a brand: that’s what she learned.

It was because she became friends with one of the leather goods licensees that she learned how to make pesto (“With a mortar and pestle, the traditional way!”) when she visited them in their home in Genova. It was her visit to Parisian cafes and Harry’s Bar in Venice that made her want to create that experience for the market in Manila, which is the reason she created Lusso. It was when she hosted a whole weekend for 15 friends in upstate New York, just cooking, setting the table for friends, making daiquiris with an Osterizer, that made her realize that this is what she wants to do forever. “Those experiences gel and click and you realize hey, this is the same kind of magic that I want to recreate for people, and it became my calling.”

“Now I realize those trips, even as far back as traveling to Europe with my mom in the ‘70s, those experiences are priceless, and you draw from them when you put something together.” With a bashful smile she adds, “This is the first time I’m talking about all this!”

3. It is because of her son Amado that she finally decided she would make a career out of cooking.

“It was because of him that I said, ‘Hey, you have another life to look after,’ and that made me make a decision,” she reveals. She started to make a name for herself in the culinary world in 1987, and by the time her son Amado was a year old, she says the hype was dying down. She came to the realization that the food industry was not about the glamour and media attention. It was about discipline, commitment, and being on time. (“I was famous for always being late.”)

She recalls the irony of how it was so difficult to feed Amado when he was growing up, and how all he wanted was fried chicken. “It would be embarrassing, my family would always see us battling because he wouldn’t eat, I’d try to cook and puree all these things for him and he just wouldn’t eat it,” she shares. Fast-forward to now: Amado is 21 years old, studying in a liberal arts college in New York just like his mom did. “He’s become an absolute foodie,” she excitedly shares. He doesn’t cook, but he constantly updates his mom on articles about Filipino cooking or the newest foodie places.

4. On living up to a “big family name”: “Maybe I was always wanting my parent’s approval.”

She is the second of five siblings, but growing up in the same house with her first cousins, she felt more like she was fourth in a brood of eight. “I found myself always being an over-achiever in school, I always wanted to have good grades,” she recalls. She says that it’s that love for life and sharing love for each other by sharing meals that she learned most from her family. “Both sides of the family were really into food and celebrating around the table like most Filipino families, and maybe that’s what I’ve always wanted to celebrate in the food concepts I put together, each in a different way.”

5. Gaita’s favorite markets and restaurants around the world:

Markets:

1. Union Square Greenmarket in New York City, USA. “It’s really cool because lots of chefs go there talaga, and New York being so cosmopolitan, it’s nice that a farmer’s market is still such a big part of what makes the restaurant scene thrive.”

2. Campo dei Fiori in Rome, and Mercato di San Lorenzo in Florence, Italy.

3. Farmer’s Market in Quezon City. “Of course I grew up with it behind my house! I still have my suki there especially for fish and sometimes for flowers.”

Restaurants:

1. Vecchia Roma in Piazza Campitelli in Rome, and Osteria Francescana by Massimo Bottura in Modena, Italy.

2. Mario Batali’s del Posto and Danny Meyer’s Eleven Madison Park, both in New York City, USA.

3. Restaurante Martin Berasategui in San Sebastian, Spain.

6. On opening restaurants and having to close some: “I find that the closures are the biggest and most important lessons of all.”

“In the beginning, I was so saddened by having to close Pepato, but then I realized there are just certain things that have a lifespan,” she opens up. A friend of hers describes the restaurant inspired by Gaita’s grandparents to be an “energy,” and now Gaita realizes that the concept needed to move on and reinvent itself. Floor size, economy, people’s mindset, these are just some factors that contribute largely to the success of a business. Although she still hopes that it’ll reopen again as a restaurant, she says, “I always find that with every closure, there is a new opening.”

7. Gaita Fores in numbers:

11: Number of staff when she started Cibo in 1997. “Nine of them are still with us now!” Today, Cibo has 11 branches and 300 staff members.

9: Average number of events she caters and styles a week.

200: Pepper mills in her collection. “One of the things I learned in Italy, freshly ground pepper, you cannot replace with anything.”

17: Years she has been together with her boyfriend Alvin. “He bakes really well! You have to be structured because everything is measured in baking, me I cannot. I cannot!”

3,000: Number of pizza crusts their group made in the span of five days when they learned how to make pizza from a pizza master in Ischia, north of Naples. “When we got home to Manila, nothing that we learned came out. The water is different, the weather is different, the yeast reacts differently. It was so hard, I was so frustrated, up to this day it is quite a challenge.”

350: Cost in pesos of the Pappardelle with salted red egg, asparagus spears, and truffle dish from Pepato. “If anyone asks me if there’s any favorite dish that I created, it’s that.”

8. She believes that Pinoy cuisine is on its way to becoming recognized internationally, just like Vietnamese or Thai cuisine. “We just have to have a real united approach in presenting our cuisine, we’re so regional about it.”

On what our defining dish would be, she explains, “Its not ‘my adobo is better than your adobo’ or ‘my sinigang is better than your sinigang,’ let’s just let them meet adobo and sinigang.” She says we have to accept the fact that our culture is exactly what historian and activist Carlos Celdran describes it to be: halo-halo.

“I’m actually quite optimistic and really, really excited,” she gushes. She names Enzo Lim’s Maharlika in New York City as one of the Filipino restaurants gaining popularity. What started as a guerrilla pop-up brunch place is now a permanent restaurant on 11th and 1st and is on New York magazine’s hot list. She also shares that Saveur magazine mentions something about Filipino cuisine almost every other month, how Anthony Bourdain to this day signs his books for Filipinos writing “Best pig in the world,” how Eric Ripert of Le Bernardin tweeted about our adobo, and how Tom Parker Bowles wishes there was a good Filipino restaurant in London. “Food tourism can go hand in hand with this new approach of tourism that ‘It’s more fun in the Philippines,’” she proposes. “Besides, the best way to anyone’s heart is through their stomach.”

9. Though organic ingredients are more expensive, Gaita is proud to say that Cibo is now 75 percent organic.

Cibo’s egg, lettuce, herbs, chicken and many other ingredients are now majority organic and local. She admits it is not as reasonably priced as regular produce and it does affect their bottom line, but she says this about doing her own part in protecting the environment versus profit: “Bounty and grace come in different forms, not just in peso signs.”

10. Gaita is very passionate about her current advocacy: “Rediscovering the farmers here in the Philippines. There are so many farmers using wonderful organic produce that I want to work with!”

She was thrilled to hear her “absolute idol” Mario Batali talk about the same concept recently at food congress Identita Golose. She says he explained that chefs should celebrate using the produce of the farmers who are in their area, but to use it with the same techniques and mindset as you would when you are in Italy.

“When you are working with food, your creation and what you put on the table is only as good as your relationship with your farmer, and that’s something we’ve taken for granted here in Manila,” she reveals. She regularly goes to different provinces around the country to meet with these farmers and discover more and more of their organic produce. “When you taste of organic stuff, you realize how different it is. Our taste buds have gotten so numb!”

She mentions that her squash comes from Bacolod, Paolo Araneta supplies her lettuce, Jejo Jimenez supplies tomatoes (“Just as sweet as Italian ones, it’s incredible!”) from Tagaytay; she also sources from a couple who run a company called Fresh Start Organics, and another supplier, GP Fresh from Bukidnon.

Wide-eyed and with a dreamy gaze, she says, “It’s so nice because 25 years after, its going back to where I started and I’m looking at it with young, fresh eyes again.”

* * *

There was a moment in the middle of our interview when I noticed that she kept mentioning random moments in her life that inspired some kind of work she is doing today. I told her I was reminded of Steve Jobs’ commencement speech in Stanford when he said: “You have to believe that the dots will somehow connect in your future.” She literally jumps out of her seat in excitement, and says “It’s funny how God brings you to these places and you realize the wisdom comes out later on!” Gaita has this essential vibrancy, much like that of the Italian culture she has come to love, talking passionately with hand gestures to prove a point or tell a story. She shows us that looking back is just as important as moving forward. For those who have ever felt like their life is just a series of random experiences, or that life has lost its element of surprise, there is much inspiration to be found in Gaita and her life. “It’s been a quarter of a century and at this point, I feel there’s so much to learn and so many new things to do.”

Sunday, April 8, 2012

10 Things You Should Know About Direk Lauren Dyogi

The realities of Direk Lauren Dyogi

In the world of TV viewing, he became a celebrity when he went on cam as one of the judges on the ABS-CBN talent search, Star Circle Quest. The show’s viewers became fans not only of the contestants (Sandara Park was the second placer) but of the director-judge whom teen girls described as a “hottie.” In the world of TV production, he is known to be a perfectionist, a good mentor, and it has been said that if you survive being under him, you will go a long way. Here are 10 things you should know about director Laurenti Dyogi.

1. He is not Big Brother.

“Big Brother is a composite of people,” Direk Lauren says about the persona of the famous, faceless Kuya. He has explained season after season that the voice of Kuya is an announcer’s, not his. “He is actually a real person, and we made him appear real because you can’t project a person on television without making people believe that he’s real.”

Of all the controversies the reality show has been involved in, he considers those from the first season to be the most difficult to deal with. “At that time may e-mail na kumalat, claiming that the show was rigged, that we’d chosen the winners, and that it was Sam (Milby), Cass (Ponti) and Uma (Khouny),” he recalls. Aside from that, it was also a controversial intimate kiss on air between Sam and co-housemate Chx (Alcala) that got the show suspended from airing by the MTRCB. He says, “During that time we were cursed, we were lambasted to be the most walang value, walang katuturan show.” But every season, despite all that, he says that it surprises him how many thousands of people still line up to audition. “If it’s a useless program, why do people believe in it?”

2. Direk Lauren worked his way up the ranks from production assistant to writer to researcher to associate producer to director to the title he now holds, business unit head.

His TV work was a gag show on Channel 13 called O Sige as an on-cam talent (he was a former model) and writer, and had a short stint as a writer for Martin After Dark. When that wrapped up, he applied to a couple of producers at ABS-CBN but got rejected. It was David Fabros of Dick and Carmi who gave him his break as a production assistant looking after Roderick Paulate and Carmi Martin during recordings. He became a researcher for Cafe Bravo, was given an opportunity by Mr. M (director Johnny Manahan) to direct, and eventually became producer. He went on to produce shows like Tatak Pilipino and Mel and Jay, and went on to direct shows like Ang TV, Gimik, and Kay Tagal Kang Hinintay and movies like Calvento Files, All My Life, and And I Love You So. It was in 2006 that he headed his own unit, currently handling all reality programs of the network (among which are Masterchef and Biggest Loser) and a number of drama series as well. “Inaral ko talaga lahat yan, kailangan mo mapagdaanan yan,” he declares.

3. He graduated valedictorian from Letran, did not pass the entrance exam to his dream school, Ateneo, but graduated cum laude in UP.

During his high school graduation, he was the third highest in terms of academics, but because he was so active with extra-curricular activities, he was named valedictorian. “We put up the student council, I was editor in chief of the school organ, I was in the glee club even if I couldn’t sing; I just wanted to expose myself,” he shares. He didn’t get into Ateneo, and so he went on to take up broadcast communication in UP where he graduated cum laude. “I was meant to go to UP to meet my wife, that was the reason!”

4. On his wife Liza, daughter Lian, and the demands of his job: “If your family is not supportive, mabubuang ka. It is important that they understand.”

He met Liza back in UP when he was a chairman of the membership committee and she was one of the recruits. It took a long time before they got together because according to direk Lauren, “Ayaw niya talaga ako,” and fast-forward to today, they are 19 years happily married. “I was the first and only boyfriend of my wife,” he says, beaming. How many girlfriends did he have before that? “Less than 10,” he says laughing.

Direk Lauren shares that 18-year-old Lian once had a phase when she felt that her friends weren’t authentic enough to be interested in her, but because she was the daughter of someone in showbiz. She was able to overcome that, and in fact, at her high school prom, both her parents were in the parent’s committee. And she was cool with that.

Despite his hectic schedule, he reveals, “kapag anak ko at asawa ko, I cannot not make time.” Liza’s birthday, Lian’s birthday and their wedding anniversary are the untouchable dates.

5. Direk Lauren was born out of wedlock, and is the only child in his father’s third family.

“Yung style ng tatay ko, he first introduced all the boys, then when I was 12, I was introduced to his first family,” he reveals. He says that there were good times and bad times, and that it was difficult to cope and to be accepted, as an “outsider” trying to get into their family. “I really needed to work hard to get attention, acceptance, recognition… kapag illegitimate child ka, you really feel you have to prove your worth to a lot of people, to yourself, to your family,” he opens up. It wasn’t a conscious effort at that time, but he realizes now that it is probably because of the circumstances he was born in that he worked hard in school (he was a scholar throughout grade school and high school) so that his father would not be ashamed of him.

His father passed away in 2010, and both mothers of the first two families have also passed away. He now remains close to his mom Cely and has become close to his half siblings, one of whom calls him the “velcro” of the Dyogi clan because he is the one who is able to get everyone together. “I do it in honor of my father and the martyr women who my father fell in love with.”

He talks fondly of his father Laurentino, as he remembers him, saying though his father didn’t finish high school, he was extremely madiskarte and was able to produce a diploma to apply to a multi-national company, taught himself how to drive a jeep, and gained knowledge and a command of the English language by constantly reading Reader’s Digest. Direk Lauren says he is still saddened when he meets people who share stories of how their fathers abandoned them. “In fairness to my father, we’re 11, pero wala siyang tinalikuran. Lahat kami pinaaral niya at lahat kami nabibisita niya,” he says.

6. Direk Lauren in numbers:

27: Age when he married his wife Liza, who was then 26.

23: Years he has been with ABS-CBN.

6: Number of movies he has directed. “I said before I’d like to do a hundred movies,” he says with a chuckle. “Now I’d like to support new directors.”

500-plus: Total number of staff members under direk Lauren’s unit.

100,000-plus: Total number of auditioners he has met and screened personally through the four editions of Pinoy Big Brother (PBB). On what makes an auditioner get a call back: “It’s gut feel. It’s very hard to explain. You don’t even have to do anything. You stand there, and if you’re a standout I’ll be able to pick you. It’s that X factor.”

7. He has what he calls a five-year cycle in his career where he feels restless. More than once, he was already all set to leave and work abroad.

“I was tired of production. I was supposed to work for the Singapore Broadcasting Company as a director and producer. I was all set, I had an office, and I flew there to do the ocular,” he reveals. At that time, his wife Liza was having a difficult pregnancy, which made him decide to stay. Still restless, he spoke with bosses Gabby Lopez and Charo Santos-Concio about the possibility of studying again, and they granted it. Just a few years ago, he felt that restlessness all over again and was looking forward to working abroad or moving network. “I didn’t know if I was in the right place. I was tired of doing PBB. Siguro that’s the artist in me. You need to get some validation if you’re still liked, loved and valued.”

8. On artists and creatives transferring networks: “There’s no perfect family. There’s no perfect corporation. I realized I could be part of the solution.”

“Lahat yan may problema. Kung bahay yan, butas butas yan. At kung butas ang bahay mo, sino bang mag-aayos niyan? Tumulong ka na lang sa pag-aayos,” he opens up. He admits that there was a time he thought about an offer to move to another network. But being in the network felt like being in a family, where he would not hesitate to share his problems, and the people he works with would not hesitate to help him as well. If he did move network, he would still do the same job of fixing things, but with people he has no relationship with yet.

“My father-in-law would always say, ‘Money should be your last consideration when getting a job,’” he shares. “As an artist, marami ka lang hinahanap na areas of growth. In the end, novelty lang yung malaking sweldo.”

9. Rundown of stars he helped develop:

1. Sam Milby (housemate from PBB Season 1): “He was not the usual Amboy na mayabang, he was grounded. He is malambing, maamo, mabait, physically fit, and he charmed the public.”

2. Kim Chiu (big winner of PBB Teens Season 1): “Kim was a surprise for me. Kasi nung nag-audition, ang laki ng mukha, nakasalamin, not the type you’d say would be a star. But she was amiable, likable, and she proved that she had that hunger to succeed.”

3. Gerald Anderson (third big placer, PBB Teen Season 2): “He was an obvious choice. He was energetic and full of life. He was Bisayang Kano, meron siyang peculiarity, that was his appeal.”

4. Bea Alonzo (breakout role in Kay Tagal Kang Hinintay): “Be a has the classic features of a movie star. She’s also very talented. She was only 14 at that time.”

5. John Lloyd Cruz (lead role in Kay Tagal Kang Hinintay): “John Lloyd is really a great actor. At that time he already showed potential. He’s guapo, but not the typical hunk. Alam mo naman katawan niya, and he’s proud of it. That’s what makes him endearing. At angst, malaki ang pinanghuhugutan.”

10. He believes reality TV in the Philippines has a bright, long future ahead, and that in time, we may be the ones to sell program formats from Asia to the rest of the world.

Some people may say that local reality TV is on its way out, but direk Lauren disagrees. “We still experiment, we still try to outdo ourselves every season, we still learn, we still fail,” he admits.

He believes the Philippines is a good creative hub for creating new concepts because we have a grasp of the Asian market. And in the years to come, hopefully we can turn the tables and instead of buying franchise programs from Europe and the US, we will be selling our programs. “They transferred to us the technology and knowledge, and now it’s time for us to do original concepts.”

* * *

I’ve been close to direk Lauren for the past six years, but I had no idea how teleserye-like his life is. From his being born out of wedlock to excelling in school, to working himself up the ranks from PA to big boss, to now helping develop the people who work under him to rise up the ranks themselves, his life seems to be perfectly unscripted. “Some people drown in life’s problems, some people get the courage to overcome struggles,” he says. Maybe he was destined to handle the reality shows of the network. He has that gift and knows what it takes to make a reality show work, because I have no doubt that given different circumstances, if he had joined Pinoy Big Brother, he would end up being the big winner.

Sunday, April 1, 2012

10 Things You Should Know About Jun de Leon

Jun de Leon: This Bad Boy is hot!
He has never been late to a shoot, not even once, because for him it is a sign of respect. He has a notorious reputation for being hot-tempered and shouting on set, because he says he is not articulate.
He was once looked at as the “Bad Boy of Photography” with his salt and pepper hair, white shirt and jeans look, women, drugs and his flaring temper. He has been at the top of his game for 39 years and counting. He is a well-loved man who has only the highest respect from everyone he has worked with. Here are 10 things you should know about the master, Jun de Leon.

1. His passion for photography began in his college years as a photojournalist for the Philippine Daily Express. On his very first assignment, he had to do an investigative report on drug users and prostitutes, and he went as far as taking the drugs himself.

“I had to work and study at the same time to pay for my tuition,” Jun recalls. He was a fine arts student in UST and initially wanted to study architecture (“but I was so bad at math”), tried out painting (“but I was so lousy”), then settled on advertising, where he encountered photography. It was then that he started to balance going to school during the day and, armed with a second-hand Pentax from his mom, he covered the police beat at midnight. He would just take catnaps in the bunk beds at work, only to be woken up to shoot mostly dead people. “Can you imagine? I’m a slave to beauty, but then I had to photograph people getting killed or Carriedo being bombed. For me, violence is ugly.”

He says he took his first assignment as a challenge, saying that he felt his superiors at the Daily Express didn’t think he could do it. He was tasked to do an in-depth documentation on drug users and prostitutes in Olongapo and when he got back to Manila and submitted the photos, they told him, “Never do this again.” In his portfolio, there is one shot taken by one of the drug users where Jun is down, after having been given a dose by the users themselves. To be able to take photos of them, he decided to blend in. “Tinurukan nila ako. Bagsak ako, di ako addict eh. I had to get their trust.”

In his almost decade-long stint with the publication, Jun received two Photojournalist of the Year Awards. “I owe a lot to that experience, whatever I’m doing now was sharpened by news photography. Instinct mo na yan dapat. Your camera becomes your extension.”

2. Before photography turned digital, he used to burn all his negatives at the end of every year. Yes, all. “I have no attachment to the past,” he claims.

“The problem with me is if you ask me about the past, I have no attachment to the past.” He says that if you ask any of the senior models, they will confirm that because it was such a hassle for him to compile all his negatives neatly, he would just burn them all. From shots taken in his Daily Express days to his first editorials, and even to portraits of Marcos. To this day, he shares that his work has never overwhelmed him and that he is not his biggest fan. It is the creation of the photo that he loves and gets a high from, not after achieving the image. “Mas excited ako to go forward,” he explains.

3. On the move from news photography to fashion photography: “Obvious naman that I love women.”

He recalls that his move to fashion happened during the time that now-STAR Lifestyle editor Millet Mananquil

gave him the chance to shoot for Express Week, the Sunday magazine of the Daily Express. “I love women, I love their quirks, their temper, their smell, lahat,” Jun declares with a sly smile. So between taking photos of women versus killings, the choice became obvious.

Even when he had no coverage, he remembers his editors would tell him, “Jun, kailangan namin ng babae,” to be then put on the front page of the paper as a sort of break from all the hard news. “I discovered Alma Moreno on the street,” he reveals. “I saw her, I said, ‘I find you beautiful, can I take your photo?’ I shot her and she was put on the cover. The next thing you know, San Miguel endorser na siya.”

4. The word “father” has meant a lot in Jun’s life. His father died when he was five; he admits to being an “absent” father himself at some point in his life; but he’s learned from his mistakes, and is making up for them, all of which inspired him to do the book Our Father.

Jun has eight children whose ages range from 35 to 10: Christine, Patricia, Oliver, Timothy, Katrina, Nikkolo, Isabella, and Irijah. He admits to being a much better father figure now than he was with his older kids. “When I got separated, I knew it was going to be painful but not that painful.” He admitted to immersing himself even more into photography, getting heavily into drugs, and having an angry phase. “I realized that after so much absence, I cannot be a father anymore, that I should be a friend.” Now, as a family, they go bowling, wake boarding, and do all these other activities like barkadas would. He drives his youngest son to school every morning. He even shares that when his daughters go through a breakup, they always go back to “the original boyfriend,” their dad. “It was only after Isa that I realized I can be a good father,” he opens up.

Though he describes growing up without a father as “very difficult,” Jun says he was ambitious and driven. The second of four kids, he recalled that his dad, a lawyer/policeman/ TOYM awardee, had a huge library with a big sign that read, “I crave for respect.” “How do you get respect? You give it first,” he simply says.

Fast forward to 2008, it was his daughter Katrina’s graduation, and when she asked him to go to her graduation, he insisted that he doesn’t go to events. “Dad, I just need to talk to you. Don’t wear your white T-shirt, but you can wear your rubber shoes,” he recalls her saying. So he went. They called the surnames under letter “D”; nothing. Letter “L”; still nothing. Until it reached letter “X” and Jun decided to have a cigarette outside. He remembers thinking to himself, “Baka di grumaduate kaya she has to talk to me.” Until the emcee of the graduation called onstage all the parents of the Top 20. “Eh crybaby ako eh!” Jun says of that proud moment with tears rushing down his face. “Habang sinasabitan ko siya ng medal, she said ‘Dad, bear with the silver, walang gold this year.’” It was then he realized that he had to finish his book, Our Father.

He was inspired to do a book on fathers wherein he would shoot every father that would enter his studio, along with sons or daughters. “I’d shoot for 10 minutes, the coffee time was two hours,” he recalls. From fathers with regular jobs, to businessmen, to celebrities, to lieutenants — he shot them all. “Thirty-two lang yung target ko, naging 52. And everyone had a story to tell,” he shares.

5. He proposed to his wife Abbygale Arenas in the most unromantic but most real manner: by showing his assets, liabilities, strengths and weaknesses.

It started from him taking her photo. “You have to understand that photographers are human beings too, and I love women, and gaganda ng mga kinukunan ko,” Jun shares. He had something of an image then of being a womanizer and a bad boy when they got together, and he remembers the whole fashion industry being against the relationship. (Their age gap is over 15 years.) He now jokes, “I thought we were friends!” They eventually got together, and two years into the relationship, his daughter Patricia told him, “Dad, if you can’t make this relationship work, you’re not capable of any relationship.” Egged on by the threat, he said, “Okay, let’s buy a ring.”

He shares that he has learned from his mistakes in the past; that he had to put together what Abby wanted and what he could offer in order for it to work. And he proposed marriage to her with these words: “Here’s my savings, here’s what I own, here’s what I spend to support my family, here’s my earnings. I want to marry you. Don’t say yes, think about it. I want to be a choice, not an option.”

The deal was to not see or talk to each other for a week, but on the third day, she gave her answer. “Yes, I want to marry you. Ang guapo ko! Feeling Aga Muhlach!”

He made Abby choose between a nice wedding or a honeymoon every year. She chose the latter (of course.) Jun made a grand plan wherein he had a shoot in Dubai, got Abby as his model, but they flew two days earlier, and held their wedding at a Christian church with all of seven guests.

“I thought I had everything, and then I met Abby. It has been the best 15 years of my life,” he says with a big smile while holding up his hand to show his wedding band.

6. Jun de Leon in numbers:

120: Square meters of his current studio in Bonifacio Global City.

3: Number of times a week he works out, plus he spends one weekend a month in Cam Sur to go wake boarding.

20-plus: Cigarettes he smokes a day. “But I never finish one whole, patay sindi ako.”

150: In millimeter s, his favorite lens to use.

13: Books published in total, the latest one being the Coke: 100 Years of Happiness coffee table book where a majority of the concepts were done on the spot by him and PR maven Keren Pascual. “We shot 104 people in eight days.”

7. He has remained relevant through almost four decades because he has invested time, effort and money into the best equipment and training. And he dreams of having a critic.

Every year, he goes to the Palm Springs Photo Festival to attend the one-week mentorship program with the masters (he has learned from the likes of Graciela Iturbide, Vincent Laforet and Andreas Bitesnich). “From the moment they wake up to the time they sleep, you just observe them,” he shares. On top of that, he also researches and invests in top-of-the-line equipment for his work. (He currently uses a Phase One medium format camera system.) “I never stop. Photography for me is horizon after horizon after horizon.”

On critics: “That is one thing we need in this country, legitimate critics.” He differentiates personal opinion from a professional critic who can really tell you why a photo is bad. “People say I’m good but I don’t believe it. Never believe your own press release,” he declares.

8. On the influx of DSLR users and the overuse of Photoshop: “If you are a photographer, do not rely on Photoshop. When you shoot it, make it true to your vision.”

He says that there is nothing wrong with anyone who has a camera shooting pictures, but being a photographer is different. “I have no condescending attitude towards anyone who wants to be a photographer. You can shoot, get hooked up with magazines, that’s so easy now. It’s staying there that is another thing.” He even shares that funny saying, “Wala sa pana yan, nasa Indian.” He says that having started with analog photography, he and the other photographers of his time know how to light properly. He says that in this “torrent generation,” a lot tend to forget about the romantic component of photography. “It’s your pride as a photographer, you want to see it right without having to rely on Photoshop. My 10-year-old son can Photoshop, so how do you separate the men from the boys?”

9. He has never been late to a shoot, not even once, because for him it is a sign of respect. He has a notorious reputation for being hot-tempered and shouting on set, because he says he is not articulate.

He is one photographer who comes on set three hours before the actual shoot to set up, so that when the people get there, everything is ready. And one must never be late to his set, or else they will hear it from him. “You don’t rob people of their time, like I don’t want to be robbed of mine. I want to make it as easy as possible for my subject,” he says.

Many people have told him that his reputation precedes him, and he says that some people do not understand how he works. The night before the shoot, everything is set. The lighting design is planned, the final vision for the shoot is clear in his head, down to what he will wear to the shoot being laid out on his bed. “Precision,” Jun says.

“I’m a visual person, I think in pictures. I’m not articulate which is why I have that temper, because I cannot express what I see,” he reveals. In some hot-tempered bouts years ago, he would go as far as throwing clothes if they weren’t ironed, and even throwing his camera. “The hardest language to articulate is photography. Paano ko mae-explain lahat ng nakikita ko? I see it in my mind, its clear, naka-frame. My mind is exploding, I want the vision done, and I don’t have the words to explain it.”

10. For him, he has photographed everyone he has wanted to photograph.

 “I’ve done all the presidents from Marcos to P-Noy. If you’ve gone from Gloria Romero to Kathryn (Bernardo) and Julia (Montes), Ninoy Aquino to Baby James, what can I expect? I’ll handle it tomorrow,” he says, yet again looking forward. When the late President Corazon Aquino was already sick, she graciously requested him to take what would be their last family portrait. “And before her death, she showed that picture we took and said, ‘This is how I want to look,’” he reveals.

A project he still dreams of doing? A book on the different shades of white. To be shot in Antarctica.

* * *

It is rare to see a man with so much passion for what he does that the line between his work and his life blurs. He has earned so much respect in the industry because he has so much respect for his craft and for other people, that it is unthinkable to not accord him the same level of respect. At 56 years of age, despite all that he has achieved, he has never praised himself; instead the praise is given to him by others. “I just keep on shooting. I wanna die shooting, and on my death bed, naka-duct tape and camera sa kamay ko. I will shoot my last frame,” he says. While we all dream that such a moment will be far from now, Jun’s almost-maniacal zest for life continues. “I love life! I live and learn, live and learn, live and learn.”

Sunday, March 25, 2012

10 Things You Should Know About Michael V

The funny accidents in the life of Michael V
Michael V: His favorite impersonations? GMA, Ely Buendia and Mahal.
Every single colleague of Michael V’s that I asked described him as “brilliant.” He is not only a leading star and master of disguises, but also the creative director of the longest-running gag show in the country, Bubble Gang. He landed on the cover of Reader’s Digest Asia’s (being only the second Filipino, next to the late President Cory Aquino) “Humor Special” after having won the Best Comedy Performance Award at the Asian Television Awards for three consecutive years. He is a certified household name, endorsing all things wholesome from dishwashing liquid to donuts to milk. Here are 10 things you should know about Michael V. (Or is his name really “Michael V.”?)

1. The name Michael V came from Michael Jackson and Gary V, and his real name is Beethoven.

His father who was working in a construction company saw an album cover in the office that read “Beethoven.” Without realizing it was a surname, he swore that if he had a son, that would be his name. And that son happened to be Michael V. He quips, “I found it weird na pano niya naisip na idikit yung Beethoven sa Bunagan?” Michael V was born Beethoven del Valle Bunagan, and he recalls being called “Beth” as a kid, if not “Bet-ho-ben,” as people pronounced his name. It was in high school when he was given the nickname “Bitoy,” after he kept mimicking the kiddie character Bitoy that the late comedian Bentot played in the sitcom Iskul Bukol. When he entered show business, he and his manager Orly Ilacad had to think of a catchy screen name for his career as a rapper, and back then, Francis M. and Andrew E. were the biggest names. Orly asked him who his favorite artists were, and he answered that, internationally, it was Michael Jackson, and locally it was Gary V. “So they merged that, and I became Michael V.,” he says matter of factly.

2. He accidentally discovered his talent to impersonate people when he first tried using a cassette recorder.

“Na discover nung cousin ko na yung cassette tape niya pala yung pinatungan ko, nagalit siya sa kin,” he fondly recalls. He often watched comedians Gary Bautista and Willie Nepomuceno and was fascinated with how they created and impersonated voices and looks. He discovered the tape recorder, found out he could listen to his voice and keep tweaking it until he got it right. His favorite voice to do was that of an old man. “There was this time in grade school that we had a school play and I was cast as an old man. I did that, and masaya yung mga tao. Na-realize ko na ah, pwede pala ito pagkakitaan eventually.”

He joined many contests like a Boy George sing-alike contest in Student Canteen, a Menudo sing-alike contest on Big Bold Channel, and many other contests, but he says, “laging talo, wala yata akong napanalunan eh!”

3. Ogie Alcasid is one of his best friends, but they first met decades ago when Ogie was a judge in a rap contest who gave contestant Michael V. the lowest score, making him lose.

It was a contest in Eat Bulaga with fellow rapper Lady Dianne that paved the started his career. When they lost the grand finals, he recalls, “Sabi ko I will never rap again!” Lady Dianne was given a contract by Octo Arts despite losing the contest and he wasn’t. However, it was when she heard Maganda ang Piliin (which was Michael V.’s answer to Andrew E.’s Humanap ka ng Pangit) that she asked him for his demo tape, and by lucky accident, it was put into her pile of demo tapes given to Octo Arts. They heard Michael V.’s song, and signed him up shortly after.

Years later, they met again when they had to work together in a movie, and that’s where he reminded Ogie about the contest. They later laughed about it, came to be the best of friends (they’re even godparents to each other’s kids), and are now one of the best comedic tandems in the industry. He shares that “give and take” is the key to their successful partnership. “Kapag hyper siya, ako mababa, at kapag most of the time ako ang hyper, ang galing niya mag-complement.”

4. He was able to avoid being bullied back in school because he was the class clown. And all the bullies wanted to hang out with the funny guy.

“I’ve always been the class clown and parang walang nagto-top sa akin pagdating sa kalokohan,” he shares with a naughty grin as if back in school. He says that it was a good thing because there are many bullies in high school, and since they all liked being entertained, he became a part of their barkada. He attended high school at Manila Science and says that his early years were okay, but his junior year was pasang awa. He went to Pamantasan ng Lungsod ng Maynila for college and finished with a degree in mass communications.

5. Michael V. in numbers:

200-plus: Estimated number of characters he has portrayed and impersonated in his career. “I did this show before, Bitoy’s World, wherein I play all the characters. There are times that on one screen I play 13 characters sabay sabay.”

24: Number of years he has been doing gag and variety shows. Six years on Ready Get Set Go, two years on Tropang Trumpo, and 16 years (and counting) on Bubble Gang.

25: Age that he got married to his wife Carol. Michael V. is now 42.

15: Hours on average it takes to tape an episode of Bubble Gang

3,056,150: Number of views of the video Pickup Line Battle at Bubble Gang on YouTube. “Kahit corny yung joke o walang sense, minsan nasa delivery.”

6. On his first date with his wife Carol, he thinks he was able to impress her when he accidentally locked the keys inside his car, and he tinkered around until he managed to open the door.

They met in college through common friends but nothing special happened back then. It was years after when Carol called Michael V. to ask for a number of a certain classmate that they reconnected and hit it off. He says their first date was very memorable because during the previews, he recalls, “Pinakita yung trailer ng Medicine Man, at sabi ni Sean Connery, ‘It’s not as easy as losing your keys inside your car.’” At that moment, he realized his keys weren’t in his pocket and were probably inside the car! Without finishing the movie, they went back to the car, he got a piece of wire from the PVC pipe and skillfully unlocked the door. He also recalls another date at Star City where he invited her to ride the roller coaster, thinking that she’d get scared and hold on to him. “I forgot, flight stewardness nga pala siya,” he laughs.

Carol and Michael V. have four children: Milo, 17, a gadget enthusiast like him; Yani, 14, who is into music; Migo, 8, who is showing comedic tendencies; and May Paul, 3, their little princess.

6. Favorite characters played:

Impersonations:

1. GMA: “She would have to be the most popular.”

2. Ely Buendia: “Pag gumagawa ako ng spoof ng kanta nila, I make sure na pinapaalam muna.”

3. Mahal: “There was so much room for comedy. Yung challenge was paano namin maa-achieve yung look.”

Characters:

1. Junie Lee, the awkward reporter: “Parang siya yung other side of who I am. Kasi hindi ako kagaya ng mga kaibigan ko na sociable or mahilig chumika, pagka celebrity wala na, nahihiya na ako,” he reveals.

2. Mr. Assimo, the sarcastic, irritable man: “Yung punchline niya is ‘Hiyang hiya naman ako sa yo!’”

3. Angelina and Yaya, a bratty kid (played by Ogie) with her Visayan yaya (played by Michael V.): “Awareness lang dapat for the parents, eh nag-hit, tapos nagtuluy-tuloy na, at naging movie.”

7. His performance, he says, come 50 percent from the writers and 50 percent from him. “If you are going to be on cam to say it, might as well be part of it.”

He says that usually, the concept comes from him, and then the writers come in with their own ideas. Unlike other actors who act out the material given to them, he says that in his case, since it’s his concept, it has to be done a certain way. Sometimes he does an adlib while the cameras are rolling, to make the skit work.

When he is having a bad day, he says that if it is a problem concerning the family, he asks to be excused from work. “Siyempre family comes first. Unahin mo muna ayusin yun at pag natapos na yung problema, that’s the time you can work,” he reveals. When it’s a minor problem, he says that he just shrugs it off and “dun pumapasok yung pagiging artista.”

He has been with GMA Network for close to two decades now but has never signed an exclusive contract with them. “Ayoko lang yung pressure of being owned by someone. Over the years I’ve earned their trust and I am dedicated to my work.” He signs a contract per show. He shares that it would be nice to work with Mang Dolphy if given the opportunity, perhaps a movie with Joey de Leon, and says that at this point maybe a project with Vice Ganda. Michael V. looks up to Dolphy, Tito Vic and Joey, and the cast of Bad Bananas as comedians, but says that it’s his kids who make him laugh the most.

8. On what makes a hit: “It’s a certain feel, hindi ko alam paano ie-explain. But something with big potential like the way a person looks or speaks.”

When it comes to mimicking a personality or creating a character, he says that the key lies in the voice, the look, or the things that person does. He shares how they start from an idea, create a look for that certain character, create the voice, then the scene, then a whole sketch. “Pag sinulat mo, alam mo na kung papatok o hindi. And we have our staff and crew, pag natawa sila, alam mo nang maghi-hit.” He says that they try to avoid sensitive issues like politics and religion, and once had a really funny sketch on Bubble Gang that did not air because it was rated “X” by the MTRCB. (It was released on the show’s DVD version though.)

One of the most popular segments are the TV commercial spoofs, and advertising agencies consider it something of an honor when their ad is chosen to be parodied. Michael V. and Ogie are creatively behind this cult hit. How can he tell that an ad will make a good parody? “If it’s not being funny, it’s probably spoof-able.”

9. When his best friend Francis Magalona passed away, he got a tattoo. “It worked to my advantage kasi yung pain inside, hindi ko na ma-control.”

When he found out Francis was sick, he jokingly said that should anything bad happen, he would get a tattoo. When Francis passed away, he had a bittersweet dilemma of whether to get a tattoo or not. At the wake, randomly and out of nowhere, a man named Pido introduced himself to Michael V. and said that he was the tattoo artist of Francis. “Sabi ko, aling tattoo? He said, ‘yung three stars and a sun.’ That was it, I took it as a sign,” Michael V. reveals. He had his tattoo done in the Eat Bulaga studio that week itself. “From time to time I would burst into tears. Whenever I saw something that reminded me of Francis, I would lose my mind. Yung pain sa loob, na-transfer on the outside, which really helped a lot.” He says they were similar in so many ways, and he considered him like a brother. “Di ko nga ma-imagine kung anong gagawin ko kung hindi ko naging barkada si Francis. Ang laki ng impact niya in my personal life and career. Kaso wala na eh, everyone has to move on.”

10. For Michael V., a good life boils down to five things:

1. “If you love your God, you’re not gonna do anything stupid na kagagalitan niya.”

2. “If you love your wife, why would you want to hurt her?”

3. “If you love your kids, why would you wanna be someone na kaiinisan nila?”

4. “If you love your career or your job, you wouldn’t wanna mess it up.”

5. “If you love yourself, di mo gustong mag suffer ka eventually.”

On being known as a family man: “I take pride in that. There’s no secret, you just do the right thing. Ganun lang ka-simple.”

I arrive at his home for this interview and find him in his home’s lanai editing a video of him and Ogie on his laptop. In the middle of the interview, we hear a voice shouting, “Oy! Pare ko!” Only to find Ogie himself and friend Dingdong Avanzado walking and waving from the golf course right outside Michael V’s yard. (All that was left was the “Awwww” sound effect and it would’ve been a scene straight out of a sitcom!) Michael V., or Bitoy, or Beethoven, or Beth, or whatever you may want to call him, may not have the grandest, most epic life story to share. He may not have the most tear-jerking struggles to look back on. But he is awesome proof that even without all that drama, you can make a huge impact on other people’s lives. In his case, with comedy. He is a simple man, enjoys simple things, is simple in his wants. He has this great talent to make people laugh, and according to him, as long as the audience wants it, he’ll be around to give it.

Sunday, March 11, 2012

10 Things You Should Know About Rio de la Cruz

Rio de la Cruz: Big hair, big goals
On his fiance Nicole: “Na-realize ko na kailangan ko ng isang tao na pwedeng mag-support at makaka-understand sa lahat ng gagawin ko. At siya yun.” Rio popped the question to Nicole on Dec. 22, 2011, and the proposal video currently has 416,525 views on Youtube.
Nobody can miss his trademark Afro hairdo. He has personally trained some of the country’s most admired personalities like Fernando Zobel, Lance Gokongwei, and Piolo Pascual. He is the head organizer of the metro’s biggest races like the Timex Run, Milo Marathon, and Unilab Run. And in the past couple of years, his name has become synonymous with running in the Philippines. Who would’ve thought that a boy who used to run barefoot in Camarines Sur would grow up to ignite Filipinos’ passion for running and be a multi-millionaire?

Here are 10 things you should know about Rio de la Cruz.

1. Rio started running because he wanted to play but couldn’t afford computer games. He couldn’t afford running shoes either, so he ran barefoot.

“Wala akong Gameboy, yun yung uso nun eh. Since wala akong perang pambili ng ganun, yung means of entertainment ko is agawan buko, patintero, taguan,” says coach Rio of how his love for running began. He shares that his opponents back in elementary wore “spiked shoes,” and since he had no means to buy, he preferred to run with no shoes on because it felt lighter. “So mas kumapal yung,” he laughs as he strokes his soles, “yung ano, balat sa ilalim.” He was once given hand-me-downs by his neighbor but it was a size too small so he cut the part of the shoes by the toes just so his feet would fit. Later on, having saved from winning races, the very first pair he bought were Chuck Taylors, thinking that it would last long because the soles were thick. He was in sixth grade at Industrial Valley Elementary School, when his would-be high school coach spotted him and recruited him to Quirino High School, where he eventually finished on a full scholarship.

Coach Rio shares that running is what motivated him to finish his studies. “Yung parents ko, separated, at walang pang-support sa akin, so natakot ako baka hanggang high school lang matapos ko,” he recalls. At the time, he learned about students who were scholars through running, and says: “Nagkaroon ako ng idea na pwede pala yun, so I wanted to pursue running para maging stepping stone ko to finish my education.”

2. When he was a competitive runner for the University of the Philippines, he set a separate training schedule for himself where he would sleep wearing his running sando, shorts, and socks, as if ready to go.

“Sa gabi, maliligo na ako. By 8p.m. tulog na ako. 9 p.m. late na yun. Matutulog ako nakabihis na para paggising ko ng 2:50 a.m., toothbrush na lang, sapatos, derecho takbo.” he says 2:50 a.m. because by 3 a.m., he has to be running already. He would then go home by 6 a.m., sleep again, then wake up in time for his 10 a.m. class. It was in the afternoons when he would join the rest of the running team for their easy 5k and 10k runs. He even worked up the confidence to talk to the coach of the National Team back then, to train with them in Baguio. All the hard work paid off because in his freshman year, Rio won Rookie of the Year. In his sophomore year, he won one gold and one silver medal. In his third year, he won gold on all his races, which was a first for UP then.

However, things changed during his senior year. He didn’t place as much in the races, and even failed to finish one. “Mas mabilis at mas bata talaga sila noon, tapos nung time na yun, nahati na talaga yung oras ko sa school at trabaho,” he reveals. Rio shares that in his early college years, his time would be split 50-50 for school and training, but in the later years, it changed to 70-30 since he had to focus more on his grades.

As for his famous hair, he shares that he grew it because of a peso-sized bald spot on the right side of his forehead. Since long hair wasn’t allowed in elementary and high school, he finally got to grow it out in college, and has kept it ever since.

3. Rio has worked hard to give himself a better life, and now, he is helping his family better their lives by teaching them to help themselves.

“Kung baga, teach them how to fish,” says Rio who is the youngest of his siblings but seems to be acting like the eldest. He is the youngest of seven siblings, and he has another seven younger half siblings. He shares that his siblings now take on different roles during the races he organizes, from putting up the banners, to manning registration, and just recently, cooking for the catering of events. “Mahirap yung bibigyan mo lang o aabutan mo lang, gusto ko matutunan nila na bago nila makuha, paghihirapan muna.” His siblings were not able to finish school like he did, and so now, Rio is helping his nephews and nieces so they can finish school. He recalls that when he was a child, his carpenter father took him and his siblings to help out in the construction sites he would be working on, and now, they are all working together again. They all grew up away from each other, and now, his ultimate goal is for them to live in houses right beside each other.

4. Coach Rio in numbers:

10: age he started running

2007: year he put up his company, Run Rio Inc.

32: length in kilometers of the “Afroman distance,” a race distance he created to be the in-between of the 21k half marathon and the 42k full marathon.

50-plus: number of running shoes he has on rotation. “Dati 100, pero hindi ko nagagamit lahat tapos napamigay ko yung iba.”

1,000 to 1,500: pesos estimate cost per runner in the races he organizes.

His personal best times:

5k: 16 minutes, 10 seconds

10k: 29 minutes, 34 seconds

21k: 1 hour, 11 minutes

42k: 2 hours, 31 minutes

5. On his fiance Nicole: “Na-realize ko na kailangan ko ng isang tao na pwedeng mag-support at makaka-understand sa lahat ng gagawin ko. At siya yun.”

They met in 2004, when Rio was lost in the middle of the race, and she was the one who pointed him in the direction of the finish line. He won that race. A week later, he rode the jeep in UP only to find her seated in front of him. They became friends since, but were in touch with each other on and off. “Pag single siya, ako may girlfriend, pag ako single, siya naman may boyfriend,” he recalls. He says that what he learned from his experiences with his exes helped him make this relationship stronger, and in fact, he has been praying for him and Nicole to be together. “Sabi ko, kung hindi kami magkatuluyan, feeling ko wala na. Kaya nung sinagot niya ako nung October, sabi ko, ‘This is it!’”

Rio popped the question to Nicole on Dec. 22, 2011, and the proposal video currently has 416,525 views on Youtube. (It is a must-see slash tear-jerker, and if you haven’t seen it yet, look up “Tadhana: Coach Rio’s Proposal” online.)

6. When he had difficulty juggling all his priorities at the same time, he asked himself, “Ano ba yung gusto ko? Ano ba yung mas marami ang makikinabang?”

He recalls a time that he had to wake up at 4 a.m., would start coaching students at 5 a.m., finish those sessions by 10 a.m., take a quick break and rest, then go on to attend meetings, then start coaching again at 5 p.m., and would often get home at 11 p.m. or even midnight. “Nagkakasakit na ako, kaya inisip ko kung ano ba talaga ang magiging focus ko,” he recalls. That was when he slowly let go of coaching and put his time into race organizing. Since then he has been training running coaches, and eventually when he could no longer handle his clients, they would go to these coaches. “I’m very happy na merong mga runner na kasamahan ko dati, na nagkaroon ng trabaho na connected pa din sa running,” he happily shares. “Sabi nila, kung di daw dahil sa mga races na ino-organize ko, di sila magkakaroon sila ng job. I felt good, at nag-motivate ito sa akin to think kung ano pang magagawa ko para sa community.”

7. Coach Rio’s tips for beginner runners:

1) Set your goal. “Ito yung magmo-motivate sa iyo to wake up in the morning and ito yung magpu-push sayo para tumakbo.”

2) Make objectives to achieve your goal. “For example, your goal is 3K. Your objective will be gumising ng ganitong oras para tumakbo. Think na regardless kung naglakad ako o tumakbo, I just want to finish the 3k. So jog ka, walk ka. Next, you want to finish 3k without walking, so nag-improve ka. Next, you want to finish 3k in a specific time. Motivate mo yung sarili mo to achieve your goal.”

3) Get the proper equipment. “Meron three types of feet. Flat-footed, high-arched, or neutral. Kung mali yung gamit mong shoes magco-contribute siya to injuries. Yung watch, susunod na lang yun pag may extra ka, kasi dun mo malalaman kung nagi-improve ka.” Coach Rio cites the big number of specialty running stores now, including his very own store Riovana that just opened late last year.

8. It was his foster father “Lolo Boy” who took him into his care during high school and onwards, and now, it is Rio’s turn to take care of him.

Engineer Juan Ramos, who he more fondly calls “Lolo Boy,” met Rio during his high school days when he would run in Marikina Sports Complex. Lolo Boy saw the potential and passion that Rio had, and after some time, he invited Rio to live with him and his family, and offered to support whatever he needed for school. “Hindi ko ine-expect, may sarili akong room, air-conditioned pa, minsan ipapahatid ako sa school, tapos pag may races abroad siya nagsu-support sa akin,” he fondly recalls. In return, Rio focused on improving in running and getting good grades. “Ngayon naman, baliktad na, mag-70 na siya, so kaming mga tinulungan niya dati ang nag-aalaga sa kanya ngayon,” Rio shares. In fact, Rio proudly announces that he will be running the Paris Marathon this April with co-runners and his Lolo Boy. “Yung natutunan ko sa kanya is how to be humble, down to earth, and hindi ka mag-stop na tulungan yung ibang tao na kahit na nahihirapan ka na.”

9. Of all the hardships he experienced in life, the hardest for him was: “Yung hindi mo alam kung kailan yung next meal mo, o kung saan ka matutulog next.”

“I was 11, 12 years old, yung wala kaming makunan o mahingian, so you have to work on your own,” Rio reveals. This, and having grown up in a community where people had all sorts of money-making gimmicks, is what made Rio the 27-year-old entrepreneurial mind that he is. He thought of all kinds of ways to earn money, from competing in Tex and jolens games, to going from door to door to throw people’s trash (from which he would get a peso or two per home), to selling ice (that he would sell as ice water later in the day), to collecting old wires (that he would burn all together) to sell in junk shops.

Today, he organizes a race almost every week for some of the biggest companies in the country, at times to raise funds for a cause, with thousands of health-conscious participants in attendance.

10. Coach Rio now realizes that his main purpose in life is to inspire people to live a healthier lifestyle.

He cannot answer for sure which achievement he is most proud of, because he says the fulfillment comes on different levels. As an athlete, it’s very fulfilling to stand on a podium and receive an award. As a coach, it is very rewarding to see your student transform physically and live a balanced, healthy life. As an event organizer, he is motivated by people who are inspired by his story and those who keep coming back to the races that he organizes. “Siyempre natatakot ako na bumalik kung saan ako before. Although I’m ready kung mangyari man yun kasi sanay ako sa wala, hindi ko naman papayagang mapunta sa ganun,” coach Rio shares. “Very thankful ako na kahit papano na yung mga dreams ko lang before, nandito na ngayon, at yung makita ko yung ibang tao na nag-iimprove din yung life nila.”

* * *

Just like his system in training runners, his life goals and achievements also seem to go from small to big, and even to biggest. In every interview of his that we read, his dreams seem to get bigger and bigger, and though he very often uses the phrase “di ko ine-expect,” we who watch his life can’t help but expect and claim only greater things to happen in Coach Rio’s life. He met people in his life that helped him become the success he is today, and he is now giving back by doing exactly the same thing for many other people.

Rags to riches stories do exist, and coach Rio’s is one we can all learn from, running enthusiast or not. “Palagi natin naririnig na hindi hadlang ang kahirapan sa tagumpay, at napatunayan ko sa sarili ko na hindi talaga ito hadlang.”

Sunday, March 4, 2012

10 Things You Should Know About Inno Sotto

Inno Sotto on fashion, love, life and what matters most
Manila’s Prince of Fashion says: “Every woman must own a white shirt, a black dress, a nice handsome bag, a mannish watch and pearl earrings.”
 Every Filipino in the fashion industry respects and looks up to he who is called Manila’s Prince of Fashion. Models consider themselves to have “made it” when they are chosen to walk the ramp for his shows. His name has been immortalized in a classic hit from the Eraserheads with a line that goes, “Rumarampa sa entablado, damit mo’y gawa ni Sotto.” His long, black hair, crisp white shirts, and perfect-fitting pants have become his trademark look, eliciting both inspiration and intimidation. Here are 10 things you should know about legendary fashion designer Inno Sotto.

1. Inno originally wanted to take up architecture, and it was only when he took on a summer job to do drawings for designer Christian Espiritu that his interest in fashion started.

He shares that he’s always been fascinated by forms and shapes, and how certain homes are designed based on the lifestyle of the person or the place or point in time. “If I have to go to a department store, the first I go to is the home section, then the fragrances; for some reason fashion is always the last,” Inno reveals. He was living most of his life in the US, and during one particular vacation to Manila, his sister referred him to Christian Espiritu who was then in need of an assistant to draw for him. “Christian was very kind, generous and patient with me. And at that time, he was dressing the most fashionable women in the country.” Upon returning to the US, after a liberal arts course in the University of San Francisco, Inno moved on to the San Francisco School of Fashion and Design, then eventually to Parsons in New York.

The very first dress he made was during his third year in design, and it was for his sister’s wedding. “It was a morning wedding and I did a heavy piqué fabric, I did the pattern and then somebody helped me put it together,” Inno recalls. He admits to being bad with machines, gadgets, or anything too technical. He reveals that he is not too much into brands, and prefers the most sensible, basic things. “Believe it or not, I’m a Gap and Muji person.”

2. In his opinion, designers and stylists should be reminded to not constantly go over the top, and models are really getting too thin.

On the issue of models today getting thinner and thinner, Inno says, “No question about it, they’re easier to fit, but they’re too thin now.” He thinks “fashionistas are overkill” and shares his list of muses (as told to Bea Ledesma in a 2010 STAR article) including women from different fields and with varied personalities such as Imelda Cojuangco, Bea Valdes, Heart Evangelista, Tessie Sy-Coson and Gretchen Barretto.

We talk about how nowadays, it’s much easier to be a designer, stylist, actor, singer, writer and, actually, anything. Inno declares: “There are certain people who have to be custodians, not to tell people what to do, but to sort and be very conscious about constantly raising the bar.” There are some who tend to go over the top, or some who just want to do one better over another, and to this Inno says, “Hindi naman pwede lahat ng damit na gagawin mo ay obra maestra, at the expense of the woman wearing it.” He shares that this is what Fashion Watch, a bi-annual showcase of designers he runs along with the Council of Fashion Designers of the Philippines, is all about. He says he does not claim to be the champion of anything, but when the time comes that he does decide to retire, “I will leave a profession that I highly respect, because the practicing members of that community are real designers. Rather than to actually retire and leave when the rest of the people there don’t really count. That’s what matters to me.”

3. Inno represented Filipino design in several international shows throughout his career. He got a standing ovation at his Paris show and a rave review by Suzy Menkes for his Singapore show.

When I asked which of all his international shows was most memorable, he said it would have to be his Paris show, simply “because it was in Paris!” He did a Filipinized collection and flew an entire 80-piece collection, a few Filipina models (whom he required to have 24-inch waistlines, and so “most girls just ate a banana and that was it for the day”) and his set design from Manila to Paris. He worked with composer Louie Ocampo on music, photographer Neal Oshima on collaterals, and celebrated French lighting director Thierry Dreyfus (who also did shows for Vivienne Westwood and John Galliano) to complete the mood of his show. But beyond all that, Inno fondly recalls, “I think the more important thing was the standing ovation accorded to me after the show that was good.”

Another highlight in Inno’s career was being the Philippine representative in a big show in Singapore along with other Asian designers. Famous fashion critic Suzy Menkes of the International Herald Tribune was invited to watch, and it was an important event because then, it was only Hong Kong, Japan, and India that she had been to and this was her first time to be exposed to more Asian designers in this part of the world. At the open forum before the show, Inno, who was then teaching introduction to fashion design at Benilde, asked her what she expected to see. She answered: “I have no idea, but I am hoping to get a whiff of what Asian fashion is all about.” A few days after the show, on Sept. 23, 1997, Menkes’ review came out. She described Inno as “a Philippine designer whose subtly draped clothes in silky jersey, accessorized with metal bands like curved blades, caught the perfume of Asia in a contemporary way.” Inno shares, “The review was very, very encouraging for me.”

4. Inno Sotto in numbers:

30 to 45: Approximate number of days it takes to make a gown. “It depends on the amount of handwork that goes into it.”

80: Most number of staff members he employed at one point.

8: Siblings in his family. “That’s a brother, sister, myself, another brother, twin sisters, my sister who passed away, then the youngest is a girl.”

3: Scents in a fragrance line he released in 2006, Inno Sotto Mondo: Huite, Miro, and Deauville.

27: Gala shows he’s done in his 32-year career

5. Looking back to when he was 20, he would’ve loved to have apprenticed with a designer abroad.

After the longest pause of this interview, he says that having gone through the last “800 years” (a phrase he often uses to describe his career thus far) has been very rewarding. Knowing what it is all about now, he says that he would’ve loved to work for an international designer in his younger years. He reminds designers today: “Before the dress, the most important thing is the woman you are dressing up.” He goes on to say how some garments tend to “wear the woman,” instead of it being the other way around. “I just want to make women beautiful, I don’t want to throw my fantasy on them. That doesn’t work for me.”

6. He is beyond fascinated with women. “It is amazing what they have to go through,” he says of women as opposed to men.

He has this very interesting observation: “He meets her and they get to know each other. When they get engaged, they assume roles. When they’re married, it’s her world that changes more than his. She is given the role to handle the house, him, the kids, while he continues with his life. And she’s not just dealing with that, she’s dealing with herself, because she’s no longer who she was. She’s the one constantly changing. He doesn’t change much. The woman physically and psychologically changes, and I see that, and I can understand.” He goes on to say that whatever he does with his life, it will always have something to do with women.

7. According to Inno, every woman must own these five items:

1) A white shirt

2) A black dress

3) A nice, handsome bag (“Not a bag that’s only for that season.”)

4) A mannish-looking watch for day

5) Pearl earrings

8. His take on malicious rumors spread about him: “When people make up stories, it strikes me as vicious.”

One of the most hurtful rumors he encountered was that his partner allegedly hit him. This spread years ago when Inno attended an event with a bruised arm, which he got from having slipped and hit a table corner. “It didn’t bother me, but when it got to family abroad and it bothered them, I didn’t like that.” There was another rumor that his long-time client and good friend, the late jeweler Fe Panlilio, allegedly asked him to return jewels that he was holding. He says “The whole scenario was just so strange,” sharing that he and the Panlilios remain close and in fact he just did a wedding within their family recently. “As far as I’m concerned they can tell me, ‘You know, Inno your dress really sucks,’ you know, I don’t care. I really don’t care,” Inno declares. But when it has to do with more personal issues other than the label, that’s when it affects him.

I asked if that means he now just lets false rumors pass, he says, “Always.”

9. His partner of 24 years, Richard Tann, passed away seven years ago on the eve of Inno’s birthday. The flowers Richard intended to give Inno for his birthday ended up as the flowers on Richard’s casket.

It was one afternoon in 2005 when Inno got a call from Richard’s staff saying he wasn’t feeling so well. Richard refused to go to the hospital, went on to attend an event, and it was when Inno rushed to him right on time that they were able to bring him to the hospital. “They were waiting for him to stabilize before they could do a quintuple bypass, but he never did,” Inno recalls. The reality and gravity of the situation hit him when the doctors told him that they could do the operation, but the chances of survival were slim. Later that night, Richard went through another attack, and while everyone was saying “Richard, hang on,” Inno saw what he was going through and said, “Richard, you let go, you just let go, it’s okay, I’ll be okay here...”

Richard passed away the morning of the next day.

That morning, Inno had to attend to all the arrangements for the funeral. “I called Antonio (Garcia) and said I needed flowers for Richard’s casket. I said whatever it is you have, I just want it to be special,” Inno recalls. Inno had no idea that the morning prior, Richard was the one who called Antonio to say that he wanted to order very, very special flowers for Inno’s birthday. What was supposed to be a gift for Inno ended up as an offering for Richard. “Just like a movie, right?” Inno says. The wake was very difficult for Inno, but he recalls a special moment. “I wrote my entire eulogy in English and I asked somebody to write my letter for Richard phonetically in Mandarin. I don’t know how but I literally memorized it phonetically in Mandarin. How I did it I’ll never know,” Inno reveals. “I realized when you want to do something for someone you truly, truly love, you do it, and I did it.”

Inno and Richard started out as friends, then became best friends, then partners, then business partners. “When he passed away, I realized not so much that there was no one to help me with things, it was more… If I came home late, his was the last face I’d see. If I woke up early, his was the first face I’d see. And when you have a partner, you just fall into place. It makes sense. It’s that. You lose that,” Inno reveals. He shares that what he misses most about him is his voice (“Strangely enough, Richard was a singer and did demos, and so I compiled them”), his nearness (“Sometimes we’re in a room and he’s doing things and I’m doing things, we’re not talking, but we’re literally good”) and how “when I wanna watch a movie, or when there’s this new place for dinner,” Richard was the first person always.

10. The main man in Inno’s life right now is a three-year-old boy, his son Joseph Marco.

Joseph Marco is the biological grandson of Julie, Inno’s yaya for most of his life. “In the ups and downs of my life, the deadlines, the most relaxed phases, when I met Richard, when he passed, she was there,” he says of Julie. When Julie’s daughter gave birth, Inno offered to have the baby live with them, so that Julie could take care of the baby. When the 10-week-old baby came to their home, things changed. Julie was to be called “Nana,” meaning grandmother, and Inno was to be called “Ahia” meaning older brother, and everyone was to do things and chores on their own. “I didn’t want him to grow up thinking his grandmother was my yaya, or that it’s one particular kind of class that’s supposed to serve,” Inno explains.

Inno shares he just wants Joseph Marco to grow up to be respectful and kind, and that hopefully he will never have to go through any kind of injustice or discrimination. “I’m gay. This was not his choice, this was my choice, hopefully to make his life better, that’s what I hope for him,” he shares. Inno shares his realization that with having a lover, you expect things, and that comes with disappointments. In his relationship with his son, there are no expectations. With a certain lightness and peace, Inno says, “I’m so contented. You deal less with your own vanities, and all of a sudden all you are concerned about is ‘What do I want for him?’”

* * *

I asked Inno how he has kept himself so relevant all these years. “I’m just naturally curious, not just about my work but about people in general,” he shares. It’s actually quite fitting that Inno never refers to age. How he chooses not to recall at what age he did a certain show, at what age he reached a certain point in his career, or even what his age is now. He just answers with a default, “Age is so difficult, like I said, I’m 800 years old!” Inno Sotto is ageless and timeless, significant decades ago as he is today, relevant today as he was decades ago. Curious today just as much as he was curious 30 years ago, interested not just in design but in everything, interesting not just as a designer but as a human being.